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PPUH ACRUX Józef Zamecki Jadwiga Zamecka: 51.125265, 23.485847
ADANEX Sp. z o.o.: 50.051844, 18.489496
AGA Wyrób Obuwia: 49.813583, 19.614705
ARCOBALENO: 52.015659, 15.417823
Przedsiebiorstwo Produkcyjno-Handlowe ARKA: 49.875175, 19.665288
PPHU ARTGUM Sp. j.: 52.705067, 21.054105
BAMA POLSKA Sp.z o.o.: 52.710058, 15.244829
Bielskie Zakłady Obuwia \'BEFADO\' Sp. z o.o.: 49.812505, 19.047212
Zakład Produkcyjno-Handlowo-Usługowy BEST-BUT Sp. jawna: 51.922957, 22.361897
COATS POLSKA Sp. z o.o.: 51.806447, 19.390017
Firma CONHPOL Henryk Konopka: 49.881756, 19.633554
DAKOMA Sp. z o.o.: 52.162967, 21.312835
PPUH DANIEL: 52.166500, 21.606055
Zakład Produkcji Obuwia DAWID: 51.781001, 15.720535
DOMENO Jerzy Stawowy Spółka jawna: 49.875161, 19.679571
Obuwniczy Zakład Produkcyjno-Handlowy EDEK: 49.872145, 19.656710
Produkcja Obuwia EKSBUT: 53.116009, 20.363356
EMEL s.c.: 50.840363, 19.106376
\'eSKA\' J.Szydłowski, J.Kłaput Spółka Jawna: 49.930891, 19.529784
Zakład Produkcyjno-Handlowo-Usługowy EURO-BUT: 51.940390, 22.367406
PPH FORMAT: 49.915448, 19.679431
HELIOS Sp. j. Jóźwiak - Szczygielski: 51.927059, 22.378888
Instytut Przemysłu Skórzanego: 51.792664, 19.449046
Produkcja Obuwia KABAŁA: 51.102306, 20.869293
Kaliskie Zakłady Garbarskie KALSKÓR S.A.: 51.770327, 18.077862
Przedsiebiorstwo Produkcyjno - Usłgowo - Handlowe KAROŃ: 50.955845, 19.156652
KEGAR Sp. z o.o.: 54.250107, 16.891819
LEDRIN Sp. z o.o.: 51.271662, 22.570113
PPHU LEO: 51.617287, 20.584965
LiR FHU Ligia i Ryszard Chrośniak: 54.379035, 18.624687
P.P.H.U. \'ŁUKPOL\' Sp. z o.o.: 51.924515, 22.347535
MACIEJKA Sp. z o.o.: 52.529280, 17.587088
Zakład Garbarski Marek Malinowski: 53.709574, 17.560307
Firma Produkcyjno-Handlowa MARKKO: 49.909141, 19.615954
Zakład Produkcji MATEO: 49.909141, 19.615954
MB Market Ltd Sp. z o.o.: 51.943096, 22.373329
Zakład Produkcji Obuwia ME Marek Warmuz: 49.875175, 19.665288
MIDO-NOSTER s.c.: 51.943229, 22.414596
PPHU MODENA Józef Lechowski: 50.793795, 19.038074
Zakład Cholewkarski Morek Adam: 49.875175, 19.665288
MOS-POL Grzegorz Moskała: 49.875175, 19.665288
MOSKWA Sp. z o.o.: 52.424012, 20.939871
Iwona Mrugała Przedsiębiorstwo Produkcyjno-Handlowe: 49.475764, 20.047496
MSU S.A.: 53.443475, 18.727632
MSUC Spółka z o.o.: 53.711813, 18.931043
Zakład Produkcji Obuwia NIK Jan Nurzynski: 52.012272, 22.520796
PHU KIM s.c.: 50.072885, 19.915136
Firma PILPOL Ryszrad Pilch: 49.875175, 19.665288
Spółdzielnia Inwalidów POSTĘP: 54.184582, 19.432382
Lubelskie Zakłady Przemysłu Skórzanego PROTEKTOR SA: 51.232317, 22.571490
QUATTRO Spółka z ograniczoną odpowiedzialnością Spółka Komandytowa: 50.893664, 18.755443
ROBSON Spółka Cywilna: 51.796820, 21.603060
Zakład Produkcji Obuwia ROSANTE Sp. z o.o.: 51.123708, 23.497567
Firma \'Ryłko\' Sp. z o.o.: 49.875859, 19.685162
SANREMO GRUP Sp. z o.o.: 52.165742, 21.597255
Zespół Szkół Ogólnokształcących i Przemysłu Skórzanego im. J. Kilińskiego: 50.016464, 19.943479
F.H.U URWIS: 53.011737, 18.609765
Zakład Produkcyjno - Handlowy Ryszard Franciszek Wadowski: 53.115094, 20.382940
Przedsiębiorstwo Produkcyjno-Handlowe WALDI Robert Sujka: 40.161380, -111.647152
WOJAS Spółka akcyjna: 49.465865, 19.997740
Cholewkarstwo Wojciech Czaicki: 49.829454, 19.668078
Wyrób i Sprzedaż Obuwia Wojciech Wasak: 51.920942, 22.396652
Cholewkarstwo Zbigniew Pasternak: 49.867740, 19.682910
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PPUH ACRUX Józef Zamecki Jadwiga Zamecka
Wojsławicka 7A 22-100 Chełm
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ADANEX Sp. z o.o.

http://www.adanex.pl/


ul. Odległa 117, 44-310 Radlin
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AGA Wyrób Obuwia
34-146 Stryszów 581
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ARCOBALENO

www.arcobaleno.pl


ul. Kwiatowa 5, 66-016 Czerwieńsk
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Przedsiebiorstwo Produkcyjno-Handlowe ARKA

www.arka.kalwaria.pl


Zebrzydowice 141, Kalwaria Zebrzydowska 34-130
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PPHU ARTGUM Sp. j.

www.art-gum.pl


ul. Mickiewicza 80, 06-100 Pułtusk
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BAMA POLSKA Sp.z o.o.

http://www.bama.com.pl/


ul. Kasprzaka 6a, 66-400 Gorzów Wielkopolski
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Bielskie Zakłady Obuwia 'BEFADO' Sp. z o.o.

http://www.befado.pl/


ul. Sempołowskiej 51, 43-300 Bielsko-Biała
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Zakład Produkcyjno-Handlowo-Usługowy BEST-BUT Sp. jawna

www.bestbut.pl


ul. Żelechowska 26, 21-400 Łuków
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COATS POLSKA Sp. z o.o.

www.coats.pl


ul. Kaczeńcowa 16, 91-214 Łódź
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Firma CONHPOL Henryk Konopka

conhpol.pl


Stanisław Dolny 400a, 34-130 Kalwaria Zebrzydowska
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DAKOMA Sp. z o.o.

www.dakoma.com.pl


ul. Turystyczna 12, 05-462 Wiązowna
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PPUH DANIEL

www.danielobuwie.pl


ul. Mazowiecka 79, 05-303 Targówka
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Zakład Produkcji Obuwia DAWID

www.butydladzieci.pl


ul. Ciepielowska 9, 67-100 Nowa Sól
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DOMENO Jerzy Stawowy Spółka jawna

www.domeno.com.pl


Mickiewicza 33, 34-130 Kalwaria Zebrzydowska
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Obuwniczy Zakład Produkcyjno-Handlowy EDEK

www.edek.com.pl


ul.Polna 4, 34-130 Kalwaria Zebrzydowska
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Produkcja Obuwia EKSBUT

www.eksbut.com.pl


Tadeusza Kościuszki 40, 06-500 Mława
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EMEL s.c.

www.emel.com.pl


ul. Ludowa 28a, 42-215 Częstochowa
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'eSKA' J.Szydłowski, J.Kłaput Spółka Jawna

www.eska-buty.pl


Podgórska 11, Lgota 34-103
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Zakład Produkcyjno-Handlowo-Usługowy EURO-BUT
ul. Armii Krajowej 84 21-400 Łuków
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PPH FORMAT

www.format.iap.pl


Przytkowice 573, 34-141 Przytkowice
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HELIOS Sp. j. Jóźwiak - Szczygielski

www.helios.net.pl


Warszawska 88b, 21-400 Łuków
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Instytut Przemysłu Skórzanego

www.ips.lodz.pl


Zgierska 73, Łódź
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Produkcja Obuwia KABAŁA

www.kabala.pl


ul. Obuwnicza 17, 26-110 Skarżysko-Kamienna
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Kaliskie Zakłady Garbarskie KALSKÓR S.A.

www.kalskor.pl


ul. Majkowska 17, 62-800 Kalisz
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Przedsiebiorstwo Produkcyjno - Usłgowo - Handlowe KAROŃ
Ul. Kwiatowa 19, 42-231 Stary Broniszew
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KEGAR Sp. z o.o.

www.kegar.com.pl


ul. Składowa 5, 77-230 Kępice
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LEDRIN Sp. z o.o.

www.daag.com.pl


Bursaki 16 20-150 Lublin, Poland
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PPHU LEO
pl. Armii Krajowej 3, 26-420 Nowe Miasto nad Pilicą
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LiR FHU Ligia i Ryszard Chrośniak
Dzielna 65 80-404 Gdansk, Poland
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P.P.H.U. 'ŁUKPOL' Sp. z o.o.

www.lukpol.com.pl


Łapiguz 104, 21-400 Łuków
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MACIEJKA Sp. z o.o.

www.maciejka.pl


ul. Strumykowa 7, 62-200 Gniezno
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Zakład Garbarski Marek Malinowski
ul. Nieżychowice 77, 89-600 Chojnice
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Firma Produkcyjno-Handlowa MARKKO
Wysoka 185, 34-105 Wysoka Gm. Wadowice
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Zakład Produkcji MATEO

www.mateo.pl


Wysoka 238a, 34-105 Wysoka
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MB Market Ltd Sp. z o.o.

www.mbmarket.com.pl


ul. Królowej Jadwigi 2, 21-400 Łuków
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Zakład Produkcji Obuwia ME Marek Warmuz

www.warmuz.com.pl


34-130 Brody 599
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MIDO-NOSTER s.c.

www.midonoster.pl


ul. Międzyrzecka 106 f, 21-400 Łuków
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PPHU MODENA Józef Lechowski
ul. Przejazdowa 4b 42-280 Częstochowa
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Zakład Cholewkarski Morek Adam
34-130 Zebrzydowice, Poland
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MOS-POL Grzegorz Moskała
34-130 Stanisław Dolny, Poland
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MOSKWA Sp. z o.o.

www.mosqa.com.pl


ul. Sikorskiego 5, 05-119 Legionowo
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Iwona Mrugała Przedsiębiorstwo Produkcyjno-Handlowe

www.mrugala.pl


Tysiąclecia 89, 34-400 Nowy Targ
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MSU S.A.

www.msu.com.pl


ul. Szosa Toruńska 32-38, 86-300 Grudziądz
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MSUC Spółka z o.o.

www.msuc.com.pl


ul. Lotnicza 5A, 82-500 Kwidzyn
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Zakład Produkcji Obuwia NIK Jan Nurzynski

www.nik.com.pl


21-404 Dębowica 30
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PHU KIM s.c.

www.polshoes.com


Królewska 88 30-079 Kraków, Poland
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Firma PILPOL Ryszrad Pilch
Zebrzydowice 359 34-130 Kalwaria Zebrzydowska
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Spółdzielnia Inwalidów POSTĘP

www.postep.elblag.pl


Fromborska 2 82-300 Elblag, Poland
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Lubelskie Zakłady Przemysłu Skórzanego PROTEKTOR SA

www.protektorsa.pl


Ul. Kunickiego 20-24, 20-417 Lublin
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QUATTRO Spółka z ograniczoną odpowiedzialnością Spółka Komandytowa

www.solofemme.pl


Praszczyki 62b, 42-140 Panki
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ROBSON Spółka Cywilna

www.robson-buty.pl


Fabryczna 1b 08-450 Gmina Łaskarzew, Poland
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Zakład Produkcji Obuwia ROSANTE Sp. z o.o.
ul. Hrubieszowska 102 /42, 22-100 Chełm
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Firma 'Ryłko' Sp. z o.o.

www.rylko.com


ul. Dworcowa 19 34-130 Kalwaria Zebrzydowska
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SANREMO GRUP Sp. z o.o.

www.sanremogrup-oliwa.com


ul. Cicha 9, 05-300 Mińsk Mazowiecki
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Zespół Szkół Ogólnokształcących i Przemysłu Skórzanego im. J. Kilińskiego

www.zsps.krakow.pl


ul. Millana 16, 30-610 Kraków
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F.H.U URWIS
Prosta 3, 87-100 Toruń
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Zakład Produkcyjno - Handlowy Ryszard Franciszek Wadowski

www.wodowski.pl


Księdza Piotra Skargi 11, 06-500 Mława
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Przedsiębiorstwo Produkcyjno-Handlowe WALDI Robert Sujka
Żelechowska 70, 21-400 Łuków
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WOJAS Spółka akcyjna

www.wojas.pl


ul. Ludźmierska 29, 34-400 Nowy Targ
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Cholewkarstwo Wojciech Czaicki
34-145 Zakrzów 259
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Wyrób i Sprzedaż Obuwia Wojciech Wasak
Królik 39, 21-400 Łuków
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Cholewkarstwo Zbigniew Pasternak
Marii Konopnickiej 10, 34-130 Kalwaria Zebrzydowska


CENTRE STAGE: In Review: Tu te souviendras de moi, Gallim Dance, Ga Ting (Family), Memory Wax/Danza Teatro Retazos at VIDF, and Reclaiming Hope Tu te souviendras de moi – Theatre la seizieme March 8–12; Studio 16 Last fall, I saw a play presented by Ruby Slippers Theatre at The Cultch called You Will Remember Me . The play was presented in translation from pre bonded hair the original by Francois Archambault, and this past week I had the pleasure of seeing that original at Theatre la Seizieme. I had immensely enjoyed the Ruby Slippers production, but seeing it in French was even better — it made the references to Renee Levesque make more sense and seemed to fit better with the characters personalities and idiosyncrasies. The protagonist is Édouard (Guy Nadon), a retired professor who has a razor sharp memory for dates and events, but he is losing his short term memory. He doesn’t remember what he had for breakfast, or the name of his daughter’s boyfriend, but he can tell you anything you want to know about important historical events, and he has an opinion about everything. Nadon gave a nuanced, honest performance as he slips further into Alzheimer’s. Édouard’s wife, Madeleine (Johanne-Marie Tremblay), decides she’s had enough and drops her husband off at her daughter’s house for the weekend. Isabelle’s boyfriend, Patrick (Claude Despins), ends up taking care of him because Isabelle (Marie-Hélène Thibault) has to work, and the two of them develop a special relationship with Édouard constantly asking Patrick what his name is, who he is, and perruques cheveux what he does for a living. When Patrick decides to go play poker, he hires his 19-year-old daughter, Bérénice (Emmanuelle Lussier Martinez), to look after Édouard. The chemistry between the two of them was brilliant as Édouard keeps thinking Bérénice must be one of his students, and she keeps up her indifferent attitude. That is until Édouard begins thinking she might be his daughter who committed suicide at 19, whose middle name was Bérénice. She decides to go along with this story and the scene where she tells him it wasn’t his fault that she took her life almost brought me to tears. They share another beautiful moment in the final scene where Bérénice reads one of Édouard’s diary entries to him, and the lesson we take away is that sometimes the present moment is enough to keep you going. Wonderland – Gallim Dance Chutzpah! Festival March 10–13; Norman and Annettte Rothstein Theatre This multi-faceted work by Gallim Dance’s artistic director, Andrea Miller, was a unique exploration of pack mentality. Through various interpretations of what it means to be part of a pack, the eight dancers, dressed in minimal fitted costumes, followed each other’s lead and formed pyramids, dogpiles, and herds to depict the effects of this mentality. The work moved through various scenes, and there was never a dull moment: the dancers breaking into song a few times, including singing the Mickey Mouse song. About halfway through the show, they stood at the front of the stage and each took a bow as if it was the finale, but then the show shifted gears from whimsical and fantastical to dark and aggressive. Cartoon-like depictions and impressive leaps, lifts, and formations made the work exciting to watch, and I enjoyed some of their symbolic moments such as each dancer running and jumping head first into another who was standing strong as a wall at the side of the stage. In another scene they each ran and slid onto the stage, the dancer before them moving out of the way just in time for them not to collide. While this work didn’t have one narrative thread to follow, the theme was very clear and each scene contributed to it by depicting a different aspect that the choreographer was exploring. It’s another solid performance to add to the list of inspiring dance at Chutzpah!. Ga Ting (Family) – The Frank Theatre Company March 8–19; Vancity Culture Lab at The Cultch A Chinese couple have lost their son, and after his funeral they finally invite his partner over for dinner. Matt has never met Kevin’s parents, though he talked about them often, but they chose to ignore the fact that he was gay, and he never brought it up. After Kevin moved to Vancouver from Toronto, they spoke less often and his parents didn’t have to witness his lifestyle that they didn’t approve of. Matt (Brian J. Sutton) is in Toronto for business and visits the Lees to deliver a painting that Kevin made for them. They never thought being an artist was a good idea for their son either. The conversation is awkward at the best of times, and once Matt tries to explain to them that Kevin was unhappy and could have used their support, Mr. Lee (BC Lee) loses his temper, they accuse each other of being racist, and Mr. Lee tells Matt to leave. Mrs. Lee (Alannah Ong) isn’t done with him though — she wants answers about what happened the night her son died. This wonderfully balanced exchange between Matt and the Lees is riveting as we learn more about that night and their relationship. The Lees speak in Chinese to say things they don’t want Matt to hear (there were surtitles above the stage), and these moments add some humour to the heavy subject matter. All three actors worked beautifully together, and the themes of family communication and acceptance will resonate with anyone. Possible Impossible and Crisalida — Memory Wax/Danza Teatro Retazos Vancouver International Dance Festival March 11 and 12; Vancouver Playhouse The only thing that disappointed me about this show was that the house wasn’t full. Such a stunning work of art deserved a full audience, but the ones who were there thoroughly enjoyed this collaboration between Memory Wax of Sweeden and Danza Teatro Retazos of Cuba. The first half, Possible Impossible , featured fantastical animal head masks and took place somewhere that the laws of time and space are no longer valid. The dancers began the piece in simple black and white outfits, dancing around a table, perruques cheveux naturels banging out an infectious rhythm on it and walking through doorways to alternate realities. They returned to the stage each wearing a different animal head mask, one of them with a caricature style woman’s head that seems disconnected from the rest of her body as she moved beneath it. With the show progressively becoming more uncanny, the dancers wore plain white masks on the back of their heads and different coloured wigs covering their faces, dancing with their backs to the audience and making it difficult to determine which side was their front or back. In another scene they danced cosplay wigs over, around, and with a square black table, using the prop for clever moves and impressive group formations. Finally, they donned lace front wigs red outfits, white masks, and large blond curly wigs to become to create a carnival mood. The second half, Crisalida , was much different. It began with one woman sitting low on a chair, her back to us and her legs straight up in the air. Her legs danced in the spotlight, and then a male dancer joined her on stage and danced with her legs until a group of dancers joined her, all in nude outfits and paired up to perform a beautiful, lyrical sequence. One of the most innovative segments had the dancers lying flat on the stage, a bird’s eye view projected onto the back wall of the stage. The dancers moved as if they were vertical, standing on each other and making it look like they were resisting gravity. It was very clever, and I’m sure not easy. Another scene had the dancers using chairs as props, playing musical chairs as they each moved to an empty chair as one dancer tried to sit in it. This show was such a treat to watch and had a bit of everything: comedy, innovation, drama, emotion, and beauty. I was thoroughly impressed at the skill of these dancers and the creative minds of the choreographers. Reclaiming Hope – Theatre for Living March 10–April 2; various venues in Vancouver I wasn’t sure what I signed up for when I went to see this show billed as “theatre without a play,” but it sounded like an interesting concept. The audience would show up and a theatrical experience would be co-created before our eyes. The theme of turning fears into hope also sounded very appealing, so I thought what the hell, let’s see what this will be like. David Diamond, Artistic and Managing Director of Theatre for Living, was the host of the event, and he confirmed for us that there wasn’t a troupe of actors waiting to take the stage. Instead, three members from the audience would share a story about a time they had to make a difficult decision and had to contend with voices of fear in their heads, and we would vote on the one we wanted to see expanded theatrically. That, of course, is a risky proposition, and you never know what people are going to offer up or if it will turn out well. The night I attended we had to choose among a story about deciding whether or not to move back to South Africa, deciding whether to invest retirement money in unethical funds, and whether or not to sell your car. We overwhelmingly voted for the story about how to invest wisely while making sure to uphold your beliefs and be assured the funds aren’t being used by corporations that harm remy hair extensions the planet. At this point, the evening seemed quite promising and there was a good energy in the room. But as things progressed, it was hard to maintain interest. The woman who told the story we chose remained onstage and was joined by three others who took the shape of three different voices of fear that she had been experiencing. Then, in what felt like group therapy or a strange high school drama class, we worked on pulling apart each voice of fear, analyzing it, and trying to connect it to other situations and broader themes. I commend Diamond for his work to further social progress through theatre, but I’m not sure that this production was successful. Although he did mention at the outset that the goal was not to psychoanalyze the storyteller, it seemed like we spent our time analyzing her individual story of personal financial struggle while letting the major issues like environmental degradation fall to the wayside. This was a unique experience that will provide different insights each time and maybe another night would have been a completely different experience. As a theatrical experience, this wasn’t my cup of tea: I didn’t find it very entertaining or compelling. As an exploration of societal fears and how we can turn those into hopes, though, it may prove very valuable. In the end, each participant will take something different away with them.